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		<title>WinfredCorbitt at 05:39, 19 September 2025</title>
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		<updated>2025-09-19T05:39:51Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:39, 19 September 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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With some &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;apply&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;patience &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a few necessary &lt;/del&gt;instruments, creating artwork with &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;colored &lt;/del&gt;glass is a interest that is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;accessible &lt;/del&gt;to nearly everybody. In the subsequent &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;part&lt;/del&gt;, we&amp;#039;ll discuss the turbulent &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;history &lt;/del&gt;of stained glass. 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The­ Protestant Reformation in early 16th-century Europe, the rise of Oliver Cromwell in England &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; [https://fossservice.net/board_guNo81/939026 Wood Ranger Power Shears website] &lt;/del&gt;and the French Revolution all introduced upheavals that resulted within the wanton destruction of religious &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;artwork&lt;/del&gt;, including many irreplaceable stained glass &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;home &lt;/del&gt;windows. After these episodes of unrest, glass artisans sought &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;much &lt;/del&gt;less controversial, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;more lucrative &lt;/del&gt;work with &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;wealthy &lt;/del&gt;patrons, and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eventually began utilizing &lt;/del&gt;extra nonreligious &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;topics&lt;/del&gt;, like nature or heraldic themes in privately commissioned &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;initiatives&lt;/del&gt;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;There have additionally been &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;artistic &lt;/del&gt;shifts within the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fashion &lt;/del&gt;and popularity of stained glass over time. 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Because of this, glass artists &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;started &lt;/ins&gt;painting on glass &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reasonably &lt;/ins&gt;than relying &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;heavily &lt;/ins&gt;on coloured glass and lead framing to create &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;photos&lt;/ins&gt;. This gave them &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;more &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a possibility &lt;/ins&gt;to create &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;high quality element of &lt;/ins&gt;their work. But &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;because of this&lt;/ins&gt;, some of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;facility&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;brilliant colour &lt;/ins&gt;saturation and bold construction of stained glass design was misplaced in the process. By the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;beginning &lt;/ins&gt;of the nineteenth century, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;many &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;basic strategies &lt;/ins&gt;of coloring and texturing glass had been abandoned, and stained glass had &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lost &lt;/ins&gt;a lot of its popularity. Men like J. R. Clayton, Alfred Bell, Charles Eamer Kempe, Louis Comfort Tiffany and William Morris &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;began &lt;/ins&gt;to rediscover stained glass &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;techniques &lt;/ins&gt;and produce new modernistic designs and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;revolutionary supplies &lt;/ins&gt;to the medium. One such &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;development &lt;/ins&gt;engineered by Louis Comfort Tiffany was the introduction of a copper foil development &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;methodology &lt;/ins&gt;that made assembling stained glass designs and dealing with curves much easier.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>WinfredCorbitt</name></author>
	</entry>
	<entry>
		<id>https://wiki.timero.com.br/index.php?title=Nibblers_Shears&amp;diff=224945&amp;oldid=prev</id>
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